In the past, the original function of the museum has changed from collection and preservation to more public and visitor-oriented education and leisure and enjoyment. Continuous research is also needed on how to show exhibitions according to these changes in museums. Today, exhibitions are becoming an important place for thought beyond providing information and knowledge. The beginning of the thought in the museum exhibition may be due to the content, but it is completed by the spatial experience of interpreting and viewing the subject. Therefore, it is no exaggeration to say that exhibitions today are communication media. Therefore, spatial curating of exhibitions should be the subject of continuous research. This study attempted to examine the philosophical implications of representation as a way of dealing with past records and memories in exhibitions through Baudrillard's Simulacion theory. Baudrillard's Simulacion is a cultural theory that is drawing attention again today when cloning and virtual reality have become common and established as a major future-oriented issue.
In particular, in museum exhibitions that adopt representation and restoration as a major directing method, the concept of "representation without original" or "representation that surpasses the original" has many philosophical implications by linking the message of the exhibition or new interpretation of the content. Through this study, simulacion expression patterns are classified into hyperreal, difference, and representation, and in-depth production of factual representation, metaphor content, and story confession was used, respectively, and through the analysis of this study, it was confirmed that these expressions enrich the experience of messaging and viewing.
This makes us deeply sympathetic in that the exhibition contains the curator's perspective, presupposes an interpretation of the phenomenon, and that the exhibition space must have a narrative function. In the exhibition, which is the subject of the study, the representation pattern of each corner and the flow of the entire exhibition as a sum of them confirmed the relationship between the aforementioned representation and reality. This is also the exhibition significance of the application of the concept of simulacion.