Yu Youren (1879-1964) was a calligraphy master of "the integration of stele and tablet", especially prominent in the late Qing Dynasty and the Republic of China. Under the background of the decline of the stele study in the Qing Dynasty and the prosperity of stele study, and the constant changes of the current situation, he turned from the stele study to the stele study and constructed a unique regular script, running script and cursive script with the stele body as the frame. His early solid foundation of stele learning laid a foundation for the later stele calligraphy to avoid the lack of stele learning literacy and the formation of stiff plate carving, broke the barriers between stele learning and stele writing style, and provided a model for the "stele fusion" form in the Republic of China and the current calligraphy world. Yu you-ren memorial body calligraphy style characteristic and the date and the forming factors is now the mainstream direction of the researchers, the author thinks that if only limited to the calligraphy style, dating, forming factors and interpretation technique level research, to explore the calligraphy style change the real factors, also can't see his calligraphy works behind the time spirit and the home countries feelings enthusiasm and creative thoughts. Study book by yu you-ren course and style change factors, its writing purpose for the spirit of the age and reasonably and more books, book and not for personal desires and fame and fortune, based on this, the author thinks that really influence the formation of yu you-ren calligraphy style is home countries, revolution, "word" factors such as the outlook on life, through his empathy it together in "word", Thus, the calligraphy appearance with distinctive characteristics of the spirit of The Times and feelings of family and country was constructed.
This paper is divided into five chapters, systematically combing the theory of Yu Youren's book study, summarizing the aesthetic characteristics of Yu Youren's book study, and on the basis of the two, exploring the style characteristics of Yu Youren's book study and its influence on the learners.
The first chapter is introduction. This paper expounds the scope of the research object, the reason of the topic selection and the purpose of the research, and summarizes the advance research at home and abroad.
The second chapter is the theoretical system of Yu Youren's book studies. His book theory is summarized into the view of learning books, creation, aesthetic. On the basis of the ancient technique theory, combined with personal creation experience, aesthetic needs of The Times and so on, he put forward the theory of personal technique theory. Based on this, the author reveals that Yu Youren's theory of calligraphy is an important theoretical basis for exploring Yu Youren's calligraphy has the characteristics of the spirit of The Times and the concept of benefiting the country and the people.
The third chapter is Yu Youren's aesthetic characteristics of calligraphy.This paper expounds the aesthetic characteristics of Yu Youren's calligraphy from the two aesthetic characteristics: masculine beauty and feminine beauty.
The fourth chapter is Yu Youren's artistic characteristics and influence. Based on yu you-ren calligraphy theory and aesthetic characteristics, combined with the era environment and his life experience and revolutionary history, from the book for the imperial literature had regular script and running script, for the spirit of the age and the monument body book regular script and running script, that book for a reasonably tablet cursive script (standard cursive script), reading the yu you-ren calligraphy style characteristic in different historical circumstances. In addition, from the value orientation of the current learners and the "standard" thought of the creation of "standard cursive" to the construction of the contemporary calligraphy standard and evaluation system, this paper expounds the influence of Yu Youren's calligraphy on the learners and the calligraphy world.
The fifth chapter concludes. In response to the research purpose of this paper, the author summarizes the research results of the theory of bibliography, the aesthetic characteristics of bibliography and the style of bibliography.