Title Page
ABSTRACT
Contents
LIST OF ABBREVIATION 14
CHAPTER I: INTRODUCTION 15
1.1. Definition Of Musical Work 15
1.2. The Current Music Industry 18
1.3. Infringement Of Musical Work And Current Situation Of Legal Protection 23
1.4. Legal Issues 26
CHAPTER II: COPYRIGHT OF MUSICAL WORKS - THEORETICAL BASIS AND INTERNATIONAL LEGISLATION 28
2.1. Theoretical Basis For Copyright Protection Of Musical Works 28
2.2. Historical Basis For Copyright Protection Of Musical Works 29
2.3. International Legislation For Copyright Protection Of Musical Works 30
2.3.1. Musical Work Is A Protected Work Under International Agreements 31
2.3.2. The Regulations Related To The Protection Of Musical Works In International Conventions 33
2.4. Conclusion 40
CHAPTER III: THE REGULATIONS ON PROTECTION OF COPYRIGHT OF MUSICAL WORK UNDER UNITED STATES, INDIA, AND SOUTH KOREA LAW 43
3.1. The Protection Of Copyright Of Musical Work Under Law Of The United States 43
3.1.1. Conditions For Copyrighted Musical Works 43
3.1.2. Moral Rights Of The Author Of Musical Work 46
3.1.3. Economic Rights In Musical Works And Duration Copyright 47
3.1.4. Distinguishing Music Works And Sound Recordings 48
3.2. The Protection Of Copyright Of Musical Work Under Law Of India 51
3.2.1. Conditions For Copyrighted Musical Works 51
3.2.2. Moral Rights Of The Author Of Musical Work 55
3.2.3. Economic Rights In Musical Works And Duration Copyright 56
3.2.4. Distinguishing Music Works And Sound Recordings 57
3.3. The Protection Of Copyright Of Musical Work Under Law Of South Korea 59
3.3.1. Conditions For Copyrighted Musical Works 60
3.3.2. Moral Rights Of The Author Of Musical Work 63
3.3.3. Economic Rights In Musical Works And Duration Copyright 64
3.3.4. Distinguishing Music Works And Sound Recordings 66
3.4. Conclusion 67
CHAPTER IV: THE PROTECTION OF COPYRIGHT OF MUSICAL WORKS THOUGH INTERNATIONAL ORGANIZATIONS AND COLLECTIVE MANAGEMENT ORGANIZATIONS 71
4.1. The Protection Of Copyright Of Musical Work Through International Organizations 72
4.1.1. World Intellectual Property Organization 72
4.1.2. The International Confederation Of Societies Of Authors And Composers 73
4.2. The Protection Of Copyright Of Musical Work Through Collective Management Organizations 79
4.2.1. The Role Of CMOs 81
4.2.2. Types Of CMOs 83
4.2.3. The Introduction Of Some Famous CMOs Of Music Copyright In The World 85
CHAPTER V: THE REGULATIONS ON PROTECTION OF COPYRIGHT OF MUSICAL WORK UNDER VIETNAMESE LAW AND THE EXPERIENCES ON IMPROVING LEGAL FRAMEWORKS FOR VIETNAM 93
5.1. Regulation Of Protection Of Copyright Of Musical Work In Vietnamese Law 93
5.1.1. Law On Intellectual Property 93
5.1.2. Introduction To Viet Nam Center For Protection Of Music Copyright 102
5.2. The Experiences On Improving Legal Frameworks For Viet Nam 108
5.2.1. Viet Nam Needs To Make A Separate Copyright Law 108
5.2.2. Viet Nam Needs To Modify The Definition Of Musical Works 112
5.2.3. Viet Nam Needs to Build A Common Standard For Registration of Musical Work 114
5.2.4. Viet Nam Needs To Acknowledged The Role Of Music Experts In Law to Determine Music Copyright Infringements 117
5.2.5. Viet Nam Needs To Enhance The Capacity Of The Collective Management Organizations In The Field Of Music 120
5.2.6. Viet Nam Needs To Enhance Awareness Of Preventing Copyright Infringement By Technological Measures For The Owner Of Copyright Of Musical Work 122
CONCLUSION 125
REFERENCE 130