This research was conducted to the current state of the study the characteristics and utilization from korean traditional opera use the poetry song, poem song of Youngjae. The korean traditional opera in the poetry song, poem song of Youngjae which were handed down from her was secured and presented in this study. In addition to studying from information and development of modern korean traditional folk song for the activation of korean traditional opera in the poetry song, poem song of Youngjae. I studied and performed on the basis of korean traditional opera in the poetry song, poem song of Youngjae related to the important anecdotes of Choi Chi-won and Kim Geo-kwak and Lee Eun-jeok. The Sight-Singing is a that is called by placing a little tune in poetry, so that it is easy to memorize korean text. There is a musical sound than the recitals(rehearsal), Yulchang (律唱). It was followed by professional shouters such as Kim Weal-ha of Seoul and Gyeonggi, Kim Jung-yeon of Seodo, and Oh Byeok-nyeo. Chae sook-ja of Youngjae. According to the province and the wave, the songs are very different. Only Chae Sook-ja passed away from many songs. The poem song is divided into the song of Seoul and Gyeonggi-do, and the praise is in Yeongnam, Chungcheong-do, and Jeolla-do from korean local poem song. The widespread of poem song is a modern creation. There are the old basilica, the vigorous voices, the voiced voices, the waning voices, the semitransparent sounds, the private voices, the middle vowels, the korean poem song the wooshizo(羽時調), and the vocabulary. There are four types of poem song, semi-editorial, editorial, and vise tongue. The characteristics of the syllable of the songs are simple melody with the pitch between the main melody is 4 degrees and there are not many sights and ornaments(decoration sound, ornaments). However, it is called pyung(平) that gives the first head of the poem song vigorously and in the middle between Hwangjong(潢鍾) and as jeongryeo(中呂), yoseong(搖聲), chuseong (推聲). There is a stiffness and a splendor. It is generally known to use from Gyeonggi-do, gives the first head of the poem song caustic(falsetto, aleunseong(戞雲聲) in the middle and end chapters in the period of the pacific year. However, in this study, it was confirmed that the composer uses the psalm through the publishers of Lee Ki–lung and Chae Sook-ja who was the holder of the poem songs. In addition, the use of caustic is also which in Seokamjae(石菴制). The designated intangible cultural assets related to the tradition of the poem song in the past were confirmed with Lee Ki-ryung, Chae Sook-ja is a person who passed on the singer 's poem song. and she learned from Lee Myung-seo and Kim Young-do in the Gojong Dynasty. There was a record that the poetry praise her souls in the 『Donggyeungsokji(東京續誌)』, a famous song, and studied the music as a teacher at the Gyeongju korean Traditional Music Center. In the 1970s, Chae Sook-ja who was the holder of the high contrast of poem song, was licensed as a master of the poem song in the 1990s and was designated as an intangible cultural asset in the 1990s. Her recordings and genealogies, as well as the scores recorded by Kim Ki-soo, are listed in the Folklore System Settlement Collection(Vol. 1, poem song), the complete korean folk Music 10, and the Settlement House. It is very useful as a research source for poem song. In the 1970s, Chae Sook-ja, who was the holder of the high contrast poem song was recognized as a master of the poem song in the 1970s and was designated as an intangible cultural asset in the 1990s. Her recordings and genealogies, as well as the scores recorded by Kim Ki-soo, are listed in the Folklore System Settlement Collection(Vol. 1, poem song), the Complete korean Music 10, and the Settlement House. It is very useful as a research source for poem song. The poem song was performed by Kim Ki-su, one piece of the praise song(willow is a thread) and one piece of private poetry(the ground is the first one). The researcher has published 6 poems and 54 poem song from the poet's poetry. The sight singing was published. The music composition of sight singing and poem song in Yeongseo is a cornerstone for dissemination of educational sources and training sources and also the production of sound sources such as CDs and DVDs and internet lectures were also developed. The korean traditonal opera, which started with the stage performances of the prostitutes, was formed in the 19th century during the Korea Empire period and enjoyed a lot of popularity among the modern public, especially Pansori. The first korean traditonal opera can be called "sochundaeyuhee(笑春臺遊戲)" by the negotiator, and the negotiations lead to the former. The main source of korean traditonal opera is Chuanghyangjeon, Byuljubuseon, Baebyejangjeon, Yuchongryeong, etc. It emphasizes the punishment of fidelity and aggression, satire of human shortage, hypocrisy from national folk song theater. Kim Geo-kwak, who performed for the revitalization of social-cultural and poetry song in childhood, is a person who fled from Dang period(China) after abandoning the identity of the Silla royal family. Kim Geo-kwak's tradtional opera adapted his biography to emphasize the faith of the Buddhist and neighbor. The performances were dramatized by using the poetry and poem 'suhhaemi' and 'songdongjahassan' written by Kim Geo-kwak. On the other hand, in this performance, it can be said that 'bumoyoeunguong geyung', which was made by Hyein Seon-sa, was featured. Choi Chi-won, When he came from Shilla, played an important role in Chinese characters in ancient history through Korea to the China. The poem used in korean tradtional opera is 6 numbered and poem song is 1 numbered, and poetry method. In addition to raising public awareness and linking with the story of the drama, we grafted three tradtional folk songs such as farewell, the arirang. Lee Eun jeok, who was a member of the korean tradtional opera performance, is a person from Gyeongju in the Joseon Dynasty. Poetry and poem, which were used for korean traditonal opera played a major role in the poetry of the 3 text books from Son Joung-don and Lee Eun-jeok and Lee Eun-gual. In order to increase the response of poetry, two contemporary korean music songs were used for the performance. The performance of the traditional korean choreography centered on loyalty and devotion. Through this study, the researchers wanted to inform about the tradition of the poetry and to study the legitimacy of the poetry. In addition, I made a sound recording with CDs and DVDs. It was published as an educational book and a study book for this area. The Internet lecture was developed so that it can be easily accessed by the people and the general public. I studied the life and thought of Choi Chi-won, and Lee Eun-jeok and as characters centering on Silla and pursued the revitalization of social-cultural and poem song by performance of korean traditional music. Therefore, I hope that this study will contribute to the academic development of the creature and the poem and the korean traditional opera.