Eom In-hui made a debut with her works; 〈Buyudo〉 and 〈Jeosoji〉 in 1981, which were prize-winning novels of a spring literary contest. Until 2001, when she passed away, she gave top priority to creating the drama having set 'performance' forth as a premise in order to communicate with audience, not to earn public recognition for her literary understanding or techniques. Analyzing Eom In-hui's literary works, 〈A story of that woman〉, 〈You may remarry only after divorce.〉, 〈A lawsuit demanding for alimony filed by the grass widow〉 (The chapter two), 〈There is a light amid desperation.〉, 〈Shall I tell you secret?〉 (The chapter three), which show a strong tendency of feminism, this research carefully examined the ideology being forced by the patriarchal social structure, as well as women's issues that concealed.
In her work, 〈A story of that woman〉, she told us the stories of our mothers who had been forced to give birth to a baby boy as well as to take a role for sexual plaything, taking her maternal grandmother's case as her basic writing materials, while dealing with the long spiritual exploratory journey of women who had to get through similar situations. Such a painful journey has been concealed in silence and compliance, and is being expressed as a form of resistance only at the end of drama. Outcry of resistance leads personae in the story one step closer to the independent self having autonomy, getting rid of the status as subordinate figure.
In the novel, 〈You may remarry only after divorce.〉, she tells of household labors and oppression of patriarchal system by borrowing a form of consultation and recapitulation. Choice without the right of making own decision shall bear a remorse in any forms. Eom In-hui tells that humans who never make the mistake of feeling sorry for their life shall be most desirable, however, that the most beautiful thing is to carry on a life chosen by their subjective free will and to assume the responsibility concomitant to such freedom.
Her novel, 〈A lawsuit demanding for alimony filed by the grass widow〉, is a story of a woman who has brought a lawsuit against the company where her husband works for, alleging that the company is liable for her discordant sex life with her husband. Men force women only to comply with feminine quality as a mother by not recognizing sexual desire of women. Eom In-hui criticizes that this is a mechanism to oppress women insomuch as the ideology concerned, which they, men, have developed by themselves, to be maintained.
In the story, 〈There is a light amid desperation.〉, she prosecutes injustice of social taboo, having criticized the different measures of two women who are the victims of sexual assault, as well as the attitudes of society in general toward these two victims. Eom In-hue tells that the cause of occurrence of sexual assault is derived from the dual norm of our society, involving sexual politics, and expresses that don't we never tolerate any longer through means of staging a silent protest by the main character.
In the story of 〈Shall I tell you secret?〉, she is sarcastic about the lack of social consciousness in premenstrual syndrome (PMS), by staging a PMS patient, who is an ex-convict, who committed crimes seven times. Having criticized the society that turned the woman who was meant for receiving proper care and treatment into the subject to punishment by means of reminiscent drama, she tried to call audience attention to the fact that this is not an issue only for women, but for entire society.
Eom In-hui attempts to let audience know about the persons who are passive or non-resisting in spite of that they are suffering from oppression because of patriarchal structure, and also having announced the details of damages, and by replacing such passive characters into aggressive figures, she reveals her idea on the theme. Also Eom In-hui tells that we are required to discover our own identity and to become a strong and healthy owner of one's life, being able to change the environments thereof. By using a court that judges right or wrong, and by staging reminiscent drama recalling her past, she helps audience get a hope to catch another opportunity for transformation and changes.