Suh Do-ho's installation of houses questions aspects of dualism by coupling of two seemingly opposite terms such as the past and the present, east and west, and the individual and the collective. Folded and packed into a suitcase, the house in fabric is portable. It also fits the artist’s lifestyle, since he relentlessly travels from one place to another for projects and exhibitions. Nomadism, as Rosi Braidotti explains, “consists not so much in being homeless, as in being capable of recreating your home everywhere.” In case of Suh, this definition of nomadism suits well. But the artist’s ‘homes’ play roles that are different from their mundane counterparts. Far from being a nest for rest, the house in fabric contests and criticizes the notion of belongingness that we use to define the meanings of one’s home and community.